In my editorial research, I’m always searching for pieces I’d truly want to live with. When I came
across the Donald Armchair, my reaction was immediate — I want it.

 

By Muriel Melo
PHOTOS PROVIDED BY CIERRE 1972

 

 

 

It evoked that irresistible desire to sit down, sink in, and stay there for hours, as if time itself had slowed. The Donald carries a quiet sense of warmth and permanence. At the same time, there’s something intriguingly timeless about it: you can’t quite tell whether it’s a new creation or a design that has gracefully transcended decades: untouched by trends, sustained by the strength of its form and function.

 

 

 

 

 

 

 

 

 

 

 

 

Tracing its origins led me to Cierre, an Italian brand founded in 1972 by Romano and Cesarina Coficconi in Forlì. What began as a small family upholstery workshop has evolved into a prestigious name in contemporary design, known for its dedication to craftsmanship, comfort, and meticulous detail across its collections of armchairs, beds, and interior furnishings.

The Donald is the creation of italian architect Marco Fumagalli, who set out to balance simplicity and complexity, piece where artisanal design meets absolute comfort. Inspired by traditional carpentry, it combines a Canaletto  walnut frame with exposed-stitched leather details, exuding both lightness and sophistication.

More than a statement of style, it reclaims the essence of what an armchair should be: a silent invitation to unwind —where comfort is felt before you even sit, and fully affirmed the moment you do.